Monday, April 29, 2013

Box Art Review #11 - Nightmares

 
Box Art Review #11
Nightmares (1983)
Directed by Joseph Sargent
Starring Emilio Estevez, Lance Henriksen, Veronica Cartwright

I seriously love horror anthologies. From TV series like Twilight Zone, Outer Limits, Tales from the Crypt, Masters of Horror, Tales from the Darkside, Monsters, Night Visions, Fact or Fiction: Beyond Belief, Dark Room, (and even kids’ shows like Are you Afraid of the Dark, Goosebumps, Eerie Indiana, The Haunting Hour, etc) to movies like Creepshow, Cat’s Eye, Tales from the Darkside (the movie), Body Bags, and Quicksilver Highway to name a lot. So I’m always surprised and excited when I find one I haven’t seen yet, especially if it’s from the 80s, like Nightmares. What really sold me, aside from Emilio Estevez of course, was the eerie trailer and poster.


Unfortunately, as with most anthology films, it’s only about half good, so I’m just gonna talk about the parts that are worth seeing.

Emilio Estevez plays a teenager who’s obsessed with arcade games and has to battle a game villain in real life. It’s kind of like that episode of Are you Afraid of the Dark where the kid gets sucked into the pinball game. As far as scares go, it’s pretty lame, but if you’re a fan of unintentional humor and ironic cool factors, this shit is pure 80s cheese and it’s rad as hell. First of all, the segment has a soundtrack with a pretty respectable punk lineup that includes FEAR and Black Flag. Plus 80s Latino gangbangers, terrible 80s fashion choices, and laughable 80s vector graphics on the haunted(?) arcade game. Maybe it’s just me, but Emilio Estevez is just fun to watch in everything he does.

The very next segment is the best in the film. Lance Henriksen plays a priest who quits his priesting duties after a crisis of faith only to be attacked by a mysterious black truck on a desert blacktop. This segment is totally Stephen King territory; the man writes about killer cars fairly often with Christine being the prime example, and a disillusioned priest is a major character in his shared universe dealie. It borrows strengthening elements from other road horror movies like Duel and The Hitcher too. The best part of the whole movie (spoiler alert) is when the truck just fucking explodes out of the ground after pulling a Tremors move tunneling under the ground Bugs Bunny style. It surprised the fuck out of me. I love this whole segment, it’s just perfect, and the best part is that Henriksen plays it so straight and dedicated as if this were a serious Oscar-bait drama.

Even though the other two segements aren’t anything special, all four stories boast excellent acting and tense atmosphere. Definitely check this out if you’re into anthologies.

The Cover
The Nightmares box art is sort of a rarity in that what’s on the cover is actually in the movie.
Check this trailer out where they reproduce the effect on the cover (or maybe it’s vice versa).

Just wanna say, that dude’s voiceover rules; he’s already got the deep, guttural creeper voice, but then they add on some kind of voice effect that makes it sound like he’s talking to you from another dimension that exists entirely under murky black water. Yeah. It rules.

So anyway, the cover, you got your vast desert wasteland lit by a neon purple light somehow which is cool, and those eyes are spooky, sure, but those hands are what really sell it. The speedlines around the fingers and the distance between the hands and the eyes allude that this nightmare creature is reaching across the vast wasteland to fuck your shit up. It’s really cool, it’s really simple, and it’s a really clever way of marketing the idea of a nightmare. Also, you gotta love the parallel between the cracks on the ground and the lightening in the sky.

Really though, the best part about the whole package is the tagline. I love how the title is centered (well, mostly) and then beneath it the ellipses implies that you were just reading the beginning of a sentence up there. …Is this year’s sleeper. is kinda presumptuous, especially given the film’s relative obscurity even in horror circles, but it’s also a great pun .

The Movie:4/5 (Mostly for Emilio)
The Cover:4/5
 

 

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